Revolver REVOLVER blog, JOURNAL OF FILM is published gunsamerica twice a year by the authors. This

Pierre Gras Good Bye, Cooper! The German cinema since 1990. Translated and edited by Marcus Seibert With a foreword gunsamerica by Christoph Terhechte Publisher information: "The first comprehensive survey of the German Cinema since 1990 - comes from France After the era of auteur cinema of Fassbinder, Wenders and Herzog in the seventies surprised! Today a new, multi-faceted German cinema, one encounters internationally with interest. The film scholar and passionate connoisseur of German films Pierre gunsamerica Gras is the German cinema since 1990 in a clearly structured and legible overall picture is, in which he introduces some authors, the different artistic movements and schools describes the various political and aesthetic approaches and the film-economic conditions of the current German cinema landscape analyzes. With lyrics about Tom Tykwer, Wolfgang Becker, Christian Petzold, Angela Schanelec, Thomas Arslan, Christoph Hochhäusler, Benjamin Heisenberg, Valeska Grisebach, Maren Ade, Fatih Akin, Andreas Dresen, Hans-Christian Schmid, Thomas Heise, Volker Koepp uva "From the text: The situation is paradoxical: on one hand just Petzold, Arslan, Schanelec and Hochhäusler have developed their own personal style, which is also the big festivals and recognized internationally. Petzold Arslan and even in France now a fan community in the program moviegoers. On the other hand, they enjoy as a prophet in his own country, no significant recognition among the German public. Greets gunsamerica you even open hostility from the more commercially oriented parts of the film industry and quite often the scorn of critics of national gunsamerica newspapers who like to mock the most talented gunsamerica directors as intellectuals who were unable to interest the general public gunsamerica for their films. Young filmmakers like Brüggemann have to open hostilities now connected with the apparent desire abzubekommen their part of the pie. His pamphlet Go to hell, Berlin School aims clearly from it to make the elderly their place in the intellectual landscape in dispute. In Oh Boy is spotted at a point about the "Berliner special school." 2013 were German films in the home cinema market as successful as ever. Not one of the filmmakers of Germany has 09 can benefit. And 2014 was again invited no German film in Cannes, although the lies of the winner and Andreas Dresen When dreaming four films have been submitted by directors with Fatih Akın The Cut, Christian Petzold Phoenix, Christoph Hochhäusler who are already using other films were invited to the festival. It follows a recognizable logic that many of these German filmmakers today in genres such as Western, Comedy, Historical drama or thriller gunsamerica try to escape the threat of Rigid own specifications. The renowned abroad label Berlin school now appears to be mainly a burden for those involved. The retrospective at MOMA in New York late 2013 was a nice, albeit very late assessment of the phenomenon, considering gunsamerica the turning point at which most careers of filmmakers shown in this exhibition are. This also explains their mistrust of the notion that no one used by themselves and the now rather describes a bygone era of German cinema. The transition to the seem forced the German gunsamerica filmmaker, is an opportunity. You have to leave cherished positions, if they do not want to freeze it and stop thus making films, mainly avowed opposition to the benefits they rejected commercial and currently so successful German cinema to see a renewal gunsamerica of their cinemas and certain self-imposed restrictions slough, which have now consolidated into new cinema conventions. gunsamerica You need to go back to a renewed concept of fiction. You now have the opportunity to have their films to international gunsamerica finance, especially in co-productions with French companies - an opening gunsamerica towards a promising European market, which allows to meet other production and distribution gunsamerica relationships. You should not be lost in the European 'mainstream' and continue to mistrust any tendency gunsamerica to normalization, as currently paralyzing large parts of French cinema through this co-productions. (Set by Marcus)
Revolver REVOLVER blog, JOURNAL OF FILM is published gunsamerica twice a year by the authors. This blog is dedicated to all those activities gunsamerica and interests, gunsamerica news and finds which have no place in the notebooks ... Employees: gunsamerica Hannes Brühwiler / Benjamin Heisenberg / Christoph Hochhäusler / Zsuzsanna Kiraly / Franz Müller / S Marcus