Then we all rewrite the script together on Google guard mobile verizon spy Docs, on MacBook Airs pur

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People who love cats always look like they need a hug. Dana Moon (...
Ira Glass is a writer, producer, storyteller, performer, and a familiar voice. His show This American Life has set the contemporary standard guard mobile verizon spy of nonfiction radio shows, and has influenced and inspired guard mobile verizon spy countless others guard mobile verizon spy to grab a mic and give podcasting a try.
But business as usual is apparently not enough for Ira. Earlier this year, he and his team produced an ambitious live theater show , with musicians, guard mobile verizon spy comedians, dancers, and other artists collaborating to create an eclectic performance. Meanwhile, This American Life has also gone independent from its longtime distributor, PRI, and they are also launching a new podcast in the fall called Serial which, yes, will present a long serialized story over the course of a dozen or so chapters. Ira is certainly not afraid of a challenge.
Location: New York Current Gig: Host and Executive Producer of This American Life One word that best describes how you work: Unrelentingly Current mobile guard mobile verizon spy device: iPhone 5 (and Anker Astro Slim3 battery for when it runs out of juice) Current computer: MacBook Air, the smallest one, and a Mac desktop at work. I prefer reading books on an iPad mini. Movies and TV shows I watch exclusively on the iPad mini, never on a TV. What apps/software/tools can't you live without? Why?
On the tech/app guard mobile verizon spy side I keep things unsophisticated. Pro Tools to edit sound, Microsoft Word for writing. This American Life runs on Google Docs . Before Google Docs existed, those rare times I met software engineers, I'd ask them to please create software so two people in different locations could edit a document guard mobile verizon spy together online. God bless Google Docs.
We use Google Docs so much at the radio show because we edit and re-edit each story many times before it gets to air. At each edit, we add at least one producer who's never heard the earlier versions.
Editing a radio story goes like this: The reporter reads the script out loud and when it's time for the quotes, we play those from the computer. Someone times how long the story is. We all take notes. If you'd stuck your head into the office, you'd see four of five of us scribbling away furiously and noting what we'd change. Lately we've been buying Muji notebooks and .38 Muji gel ink pens at the office for this purpose. They're pleasant to touch and make the world seem like an orderly place. I number and date my notebooks in case I need to go back to them later.
Then we all rewrite the script together on Google guard mobile verizon spy Docs, on MacBook Airs purchased for this purpose. We're also big users of Google Calendar at the radio show. The desktop interface for that is good but the Google Calendar iPhone app is j ust fucking annoying guard mobile verizon spy and really should go to hell. Here are two annoying things it does: 1) Every day (and after every time you close the app) it asks you to log in again with your name and password, which is a pain in the ass. 2) After you log in, a little blue box appears saying "Install this web app on your Phone: tap on the arrow and then 'Add to Home Screen'" which irritates me because the app should know that it already IS on my home screen. It already is on my iPhone. Where does it think it's living? Anyway, after a couple of years of getting mad every time it asked me this, I finally decided this was unnecessary anger to have in my life and switched to the iCal app that comes with the iPhone.
As far as audio gear, t he recording kits we use in the field for our show are Marantz PDM661 digital recorders, whose controls and displays are beautifully designed and wonderful to use, and Audio Technica AT835b shotgun mics. I've used the 835b since I was in my twenties. You can spend more for prettier sound but I think it's a great-sounding general-purpose mic, good both for interviews and for recording ambient sound. Shotguns are better for interviews because they isolate the voice of the interviewee better than omnidirectional mics. You just have to be careful about handling noise, but that's not hard.
I'd been doing radio over a decade when I discovered the world of wireless lav mics, which you pin on your interviewee as they teach in front of a classroom, shake hands on the campaign trail, go about their lives. Most radio people don't use these but they're like a crazy magic trick. The interviewees forget they're guard mobile verizon spy wearing the mics, or get tired of remembering, and you get incredible stuff you wouldn't get if you were standing there sticking a footlong mic a few inches from their face. I prefer the Lectrosonics wireless guard mobile verizon spy rigs though they're insanely expensive. The fi